Kate Gilmore

  • Black Heart
    2016
    Wood, enamel primer & paint
    102 x 20 x 3 inches
    Edition of 3

  • Red Heart
    2016
    Wood, enamel primer & paint
    102 x 20 x 3 inches
    Edition of 3

  • A Roll in the Way
    2014
    Wood, lumber, paint, performance
    9 ft. x 16 ft. x 4 ft.

  • Beat It
    2014
    Video Still
    Edition of 5

  • Only One Like You
    2013
    Styrofoam in painted metal cube
    Dimensions variable

  • Like This, Before
    2013
    HD Video
    13 min, 37 sec
    Edition of 5

  • Love ‘em and Leave ‘em
    2013
    HD Video
    1 hr, 1 min, 2 sec
    Edition of 5

  • Rock, Hard, Place
    2012
    Wood, acrylic paint, and ceramic bowls
    89 x 138 x 8 inches

  • Buster
    2011
    C-print
    30 x 40 inches
    Edition of 10

  • Rock, Hard, Place
    2012
    HD Video
    11 min, 15 sec
    Edition of 5

  • Wall Bearer
    2011
    C-print
    30 x 40 inches
    Edition of 10

  • Through the Claw
    2011
    C-print
    30 x 40 inches
    Edition of 5

  • Buster
    2011
    HD Video
    7 min, 40 sec
    Edition of 5, 2 AP

  • Break of Day
    2010
    Wood, acrylic paint & ceramic bowls
    27 1/2 x 28 x 7 1/2 inches

  • Standing Here
    2010
    Video still
    Edition of 5, 2 AP

  • Break of Day
    2010
    Video still
    Edition of 5, 2 AP

  • Sudden As A Massacre
    2011
    HD Video
    30 min
    Edition of 5, 2 AP

  • Blood from a Stone
    2009
    Video still
    Edition of 5, 2 AP

  • Come Around
    2009
    Video still
    Edition of 5, 2 AP

  • Blue Ribbon
    2008
    Video still
    Edition of 5, 2 AP

  • Star Bright, Star Might
    2007
    Video still
    Edition of 5, 2 AP

Kate Gilmore imposes upon her own physicality in post-feminist critiques of sex and gender. Gilmore shapes an aggregate of performance, video, sculpture and photography with self-imposed restrictions and challenging objectives that recall the absurdity of Dadaism, the hyperbole of political cartoons, and the rigidity of political correctness. Thus Gilmore may find herself thwarted by high-heeled shoes in a humbling endeavor to surmount a literal wall of her own construction. Gilmore not only animates the essences and suppositions of ego and id, but positions them in a duel for personal integrity.

 

Kate Gilmore was born in Washington D.C. and lives and works in New York, NY. Recent exhibitions include The Aldrich Contemporary Art Museum, Ridgefield, CT; Kansas City Art Institute, Kansas City, MO; The Akranes Museum Center, Reykjavik, Iceland; The Girls Club Collection, Fort Lauderdale, FL; Brooklyn Museum, Brooklyn, NY; The Fourth Moscow Biennale of Contemporary Art, Moscow, Russia; Whitney Biennial, Whitney Museum of American Art, New York, NY; The Museum of Contemporary Art, Cleveland; Brooklyn Museum, Brooklyn, NY; Greater New York: 5 year Review, PS1/MoMA Queens, NY, among others. Her work has been included in national and international exhibitions including the J. Paul Getty Museum, Los Angeles, CA; Brooklyn Museum, Brooklyn, NY; RISD Museum of Art, Providence, RI; MAK Museum of Art, Vienna, Austria; and Greater New York 2005 at PS1/MoMA Contemporary Art Center, Long Island City, NY. The artist’s work is in the permanent collections of Museum of Modern Art, New York, NY; Whitney Museum of American Art, New York, NY; Brooklyn Museum, Brooklyn, NY; Museum of Contemporary Art (MCA), Chicago, IL; San Francisco Museum of Modern Art, San Francisco, CA; Utah Museum of Fine Arts, Salt Lake City, UT; Verbund Collection, Vienna, Austria; Sammlung Julia Stoschek Collection, Dusseldorf, Germany; LAC, Lambert Collection, Geneva, Switzerland; Fondazione Morra Greco, Naples, Italy; Collezione La Gaia, Busca, Italy; Centro Sperimentale per le Arti Contemporanee (CESAC), Caraglio, Italy.

Born in 1975 in Washington D.C.; lives & works in New York, NY

 

EDUCATION

 

2002
School of Visual Arts, Master of Fine Arts, New York, New York

 

1997
Bates College, Bachelor of Arts, Lewiston, Maine

 

SOLO EXHIBITIONS

 

2017
Solo Exhibition, Bates College Museum of Art, Lewiston, ME
Only be in Your Way, DiverseWorks, Houston, TX
Beat, On Stellar Rays, New York, NY

 

2016
Love ‘em, Leave ‘em, David Castillo Gallery, Miami Beach, FL
Touch like this, Hold like that, Everson Museum of Art, Syracuse, NY
Kate Gilmore, Wallflower, 2006-2007, Rosebud, Rose Art Museum, Brandeis University, Waltham, MA

 

2015
Expanding on an Expansive Subject, Armory Center for the Arts, Los Angeles, CA

 

2014
A Roll in the Way, The Aldrich Contemporary Art Museum, Ridgefield, CT
Kate Gilmore: Top Drawer, Stony Brook University Gallery, Stony Brook, NY
Beat It, H&R Block Artspace, Kansas City Art Institute, Kansas City, MO
Broadway Billboard: Wall Bearer, Socrates Sculpture Park, Long Island City, NY

 

2013
A Tisket, A Tasket, University Art Museum, University at Albany, Albany, NY
Kate Gilmore, Institute of Contemporary Art, Maine College of Art, Portland, ME
Body of Work, Museum of Contemporary Art Cleveland, Cleveland, OH
Landmarks Video: Buster, University of Texas at Austin, Austin, TX
Absent/Present, Montserrat Gallery, Montserrat College of Art, Beverly, MA
Off the Old Block, Museum of Contemporary Art San Diego/WOW Festival (Performance), San Diego, CA

 

2012
Rock, Hard, Place, David Castillo Gallery, Miami, FL
Single-channel 3: Time and Circumstance-Kate Gilmore, Standing Here, Des Moines Art Center, Des Moines, Iowa

 

2011
Built to Burst, Braverman Gallery, Tel Aviv, Israel
Walk the Line, Parasol Unit, London, England
Catherine Clark Gallery (Media Room), San Francisco, CA

 

2010
Pot, Kettle, Black, Maisterravalbuena Galeria, Madrid Spain
Walk the Walk, Public Art Fund, Bryant Park, New York, NY
Tow the Line (One Day Performance), Vassar College, Poughkeepsie, NY
Standing Here, Rockland Art Center, West Nyack, NY
Crystal Contemporary Art, Stockholm, Sweden

 

2009
By Any Means, Locust Projects, Miami, FL
Galleria Franco Soffiantino, Turin, Italy
Heart Breaker, Steve Turner Contemporary, Los Angeles, CA
Night Moves: Kate Gilmore, San Jose Institute of Contemporary Art, San Jose, CA

 

2008
Smith-Stewart Gallery, New York, NY
Institute of Contemporary Art, Philadelphia, PA
Catharine Clark Gallery, San Francisco, CA
Girl Fight, University of North Texas Art Gallery, Denton, TX
Tyler School of Art, Philadelphia, PA
Girl Fight, Artpace San Antonio, San Antonio, Texas
The Breakers, Maisterravalbuena Galeria, Madrid, Spain
CESAC Centro Sperimentale Per Le Arti Contemporanee, Caraglio, Italy

 

2006
Experimental Personalities: Kate Gilmore and Angie Reed, Contemporary Art Center, Cincinnati, OH
Hopelessly Devoted, Pierogi Gallery, Brooklyn, NY

 

2005
Real Art Ways, Hartford, Connecticut

 

2004
On My Way to the Prom the World Collapsed on My Head, White Columns, NY
If My Shoes Matched My Dress I Could Destroy You, Plus Ultra Gallery, NY

 

SELECTED GROUP EXHIBITIONS

 

2016
Energy Charge: Connecting to Ana Mendieta, Arizona State University Art Museum, Tempe, AZ
Queens International 2016, Queens Museum, Queens, NY
Utopia Is No Place, Utopia Is Process, Usdan Gallery, Bennington College, Bennington, VT
Trembling Halves, Tiger Strikes Astroid, Philadelphia, PA

 

2015
The Figure in Process: de Kooning to Kapoor, 1955-2015, inaugural exhibition, Pivot Art + Culture, Seattle, WA
MOVE!, Brookfield Place, New York, NY
Bewegte Bilder, Marburger Kunstverein, Marburg, Germany
Live-Action, MINT, Atlanta, GA
Teeth, Gnash, Tennessee, Invisible-Exports, New York, NY
Embodied Resilience, Italian Embassy in Berlin, Germany
Object ‘Hood’, Lesley Heller Gallery, New York, NY
Performative Process, Hasley McKay Gallery, Long Island, NY
Strength and Struggle, Moshen Gallery, Tehran, Iran

 

2014
The Moment. The Backdrop. The Persona., Girls’ Club, Fort Lauderdale, FL
Amerika, David Castillo Gallery, Miami, FL
The Lost Artworks, The Akranes Museum Center Reykjavik, Iceland
Mana Monumental, Mana-Miami, Miami, FL
Pierogi XX: Twentieth Anniversary Exhibition, Brooklyn, NY
Permanent Collection, Utah Museum of Fine Arts, Salt Lake City, UT
Transition, Galeria Anita Beckers, Frankfurt, Germany
Hothouse Video: Harder, Glorious, Washington Project for the Arts, Washington, D.C
Voices: Warehouse Gallery, Dubuque, MI
Site: Lab, Grand Rapids, MI
Incarnate, Catherine Clark Gallery, San Francisco, CA
The Gatekeepers, William Holman Gallery, New York, NY
Seven, The Boiler: Pierogi Gallery, Brooklyn, NY
Video Container: Touch Cinema, MoCA North Miami, North Miami, FL
Eric Fertman: A Comic Turn, curated by Cora Fisher, Southeastern Center for Contemporary Art, Winston-Salem, NC

 

2013
Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL
Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY
Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ
Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH
All Good Things, SOMA Arts, San Francisco, CA
Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma
The Lobby Project, City Center, New York, NY
Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador
If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor’s Island, New York, NY
Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR
Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA
In Praise of Chance and Failure, Family Business, New York, NY
There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ
Only as Signal Show, Southern Exposure, San Francisco, CA
No Sun Without Shadow, Lu Magnus, New York, NY
Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

 

2012
Dark Flow Lurking, David Castillo Gallery, Miami, FL
The Annual, National Academy Museum, New York, NY
Projecting Identity, The Anderson Gallery at Drake University, Des Moines, IA
Past and Present, Silas Marder Gallery, Bridgehampton, NY
External Origin, Clifford Gallery, Colgate University, Hamilton, NY
From Our Bodies Blinking, Root Division, San Francisco, CA
Under the Table, Fort Worth Contemporary Art Center. Fort Worth, TX
The Day on Fire: Apocalypse in Contemporary Art, East Tennessee State University, Johnson City, TN
Spazi Aperti 2012, Romanian Academy in Rome, Rome, Italy
Pretty Ugly, Mills Gallery: Boston Center for the Arts, Boston, MA
Broken Homes, Momenta Art, New York, NY
Campaign,C24 Gallery, New York, NY
The Virgins Show, Family Business, New York, NY
The Vault, Spaces, Cleveland, OH

 

2011
The Fourth Moscow Biennale of Contemporary Art, Moscow, Russia
Sixth Curitiba Biennial, Curitiba, Brazil
The More Things Change, San Francisco Museum of Modern Art, San Francisco, CA
Soft Machines, The Pace Gallery, New York, NY
TBA: Time Based Arts Festival: Portland Institute of Contemporary Art, Portland, OR
Temporary Structures: Performing Architecture in Contemporary Art, Decordova Sculpture Park and Museum, Lincoln, MA
Norfolk, Thierry Goldberg Projects, New York, NY
BNA: From Brooklyn to Nashville, Zieher Smith Pop Up Gallery, Nashville, TN
The Golden Ass, Annie Wharton Los Angeles, Los Angeles, CA
Groundbreaking, Whitney Museum of American Art (new site), New York, NY
Nominator and Denominator, Herzliya Museum of Contemporary Art, Tel Aviv, Israel
Persona: A Body in Parts, Weatherspoon Art Museum, Greensboro, NC
Stagecraft, University of Southern Florida Contemporary Art Museum, Tampa, FL
University of Southern Florida Contemporary Art Museum, Tampa, FL
Incheon Women Artist Biennial, Korea
American Chambers, Gyeongnam Art Museum, Korea
Sum of the Parts, David Castillo Gallery, Miami, FL
Glutton for Punishment, Ramis Barquet, New York, NY
The Spirit of the Signal, Nicole Klagsbrun Gallery, New York, NY
Body of Art, Prairie, Cincinatti, OH
Tensile Strength, Zieher Smith Gallery, New York, NY

 

2010
Whitney Biennial, Whitney Museum of American Art, New York, NY
Greater New York: 5 Year Review, MoMA/PS1, Long Island City, NY
Framed, Indianapolis Museum of Art, Indianapolis, IN
Emerge, Museum of Contemporary Art Chicago, Chicago, IL
Uncertain Spectator, Experimental Media and Performing Art Center, Troy, NY
Sweat, Patricia Low Contemporary, Gstaad, Switzerland
F*Utility, Arena 1, Santa Monica, CA
Better When Broken, Seventeen Gallery, London, England
A Basic Human Impulse, Galleria Comunale d’Arte Contemporanea, Monfalcone, Italy
Mirror, Mirror, Postmasters Gallery, New York, NY
Gimme Shelter, Mixed Greens, New York, NY
Knock Knock, Fred Torres Collaborations, New York, NY
A Reluctant Apparition”, Sue Scott Gallery, New York, NY
Global/National, Exit Art, New York, NY
Escape from New York, Patterson Arts Council, Patterson, NJ
COMPOSE!, Smith-Stewart @ DKP, New York, NY
Chained to a Creature of a Different Kingdom, David Castillo Gallery, Miami, FL
Common Jive, Elizabeth Foundation for the Arts, New York, NY
Spasticus Artisticus, Ceri Hand Gallery, Liverpool, UK
A Basic Human Impulse, Galleria Communale d’Arte Contemporanea, Monfalcone, Italy
You Are Free, Tape Club, Berlin, Germany
Tragic Sense of Life, Weschester Community College Fine Arts Gallery, Valhalla, NY
No Vacancy, The Butcher’s Daughter Gallery, Ferndale, MI
Culture Shock: Video Interventions at the QET, Vancouver 2010 Cultural Olympiad, Queen Elizabeth Theatre, Vancouver, Canada

 

2009
100 Years, PS1/MoMA, Queens, NY
Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY
Party at Chris’s House, Janet Kurnatowski Gallery, Brooklyn, NY
Supergirl, Nexus Foundation for Arts, Philadelphia, PA
One Minute More, The Kitchen, New York, NY
Pink Panther, Kumukumu Gallery, New York, NY
Night Gallery Rosslyn, Arlington Arts, Arlington, VA
Tell Me Everything, As You Remember It”, Creative Research Lab, The University of Texas at Austin, TX
Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY
City Garden, Contemporary Art Museum, St. Louis, MO
East Coast Video, Ramis Barquet, New York, NY
I am a Video, Good Children Gallery, New Orleans, LA
No Longer Empty, The Chelsea Hotel, New York, NY
Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX
Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL
Feel the Force, Cafe Gallery London, London, England
It’s You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA
Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY
Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

 

2008
Perverted by Theater, Apex Art, New York, NY
Re.Act.Feminism, Akademie der Kunste, Berlin, Germany
My Space, Palazzo delle Arti Napoli, Naples, Italy
Alternating Beats, RISD Museum of Art, Rhode Island School of Design
Number 2: Fragile, Julia Stoschek Collection, Dusseldorf, Germany
Un-Break My Heart, Pluto Gallery, Brooklyn, NY
Real Thing, Braverman Gallery, Tel Aviv, Israel
Held Together With Water, Sammlung Verbund at the Istanbul Museum of Modern Art, Istanbul, Turkey
Destroy, She Said, Pinchuk Art Center, Kiev, Ukraine
Jack #%ss, Susan Inglett Gallery, New York, NY
Beware of the Wolf, American Academy in Rome, Rome Italy
Environments and Empires, Rose Art Museum at Brandeis University, Waltham, MA
Diamond Dogs, Galeria Casado Santapau, Madrid, Spain
The Best Artwork in the World (on the Portrait of the Artist), Charro Negro Galeria, Guadalajara, Mexico
La Nave dei Folli, Porta S.Agostino, Bergamo, Italy
Open Video Projects, Marta Herford Museum, Herford, Germany
Colloque Cest Mon Genre, Ecole Regionale Des Beaux-Arts De Nantes, Nantes, France
Video Now: Artists Working in the Spirit of Bruce Nauman, The Menil Collection Houston, TX
The Leisure Suit, Leroy Neiman Gallery, Columbia University, New York, NY
Make You Notice, San Francisco Art Commission Gallery, San Francisco, CA
(Untitled) U=____, Fette’s Gallery, Los Angeles, CA

 

2007
Held Together With Water, Sammlung Verbund at the MAK Museum of Applied Arts Vienna, MAK Museum of Applied Arts Vienna, Vienna, Austria
Red Badge of Courage, Newark Council for the Arts, Newark, NJ
Making Noise, South Street Seaport Museum: Melville Gallery, New York, NY
Destroy, She Said, Julia Stoschek Collection, Dusseldorf, Germany
Ceci n’est pas… (This is not…), Sara Meltzer Gallery, New York, NY
Foam of the Daze, Smith-Stewart, New York, NY
(Un)Natural Selection, Pierogi Gallery, Brooklyn, N
Line-Up, Socrates Sculpture Park, Long Island City, NY
Come One Come All, 3rd Ward, Brooklyn, NY
Architecture and Design Biennial, Tel Aviv, Israel
What F Word?, Cynthia Broan Gallery, New York, NY
The Feminine Mysterious, Red Dot Contemporary, West Palm Beach, FL
I Could Be You, Akademie Schloss Solitude, Stuttgart, Germany
MASH, The Helena: Cottelston Advisors, New York, NY
Out of the Loop, BICA, Brooklyn, NY
L’axe Bartholdi, La Vapeur, Dijon, France

 

2006
Reckless Behavior, J. Paul Getty Museum, Los Angeles, CA
Heart Breaker, Mary Boone Gallery, New York, NY
Mixed Emotions, Haifa Museum of Art, Haifa, Israel
Twist it Twice, Moti Hasson Gallery, New York, NY
Factitious, Pierogi Leipzig, Leipzig, Germany
Factitious, Pierogi Gallery, Brooklyn, NY
Semiannual, Monkeytown, Brooklyn, NY
Ionesco’s Friends, Franco Soffiantino Arte Contemporanea, Turin, Italy
Wild Girls, Exit Art, New York, NY
Love, Ferragamo Gallery/Project Space, New York, NY
The Studio Visit, Exit Art, New York, NY

 

2005
Greater New York, PS1/MoMA Contemporary Art Center, Long Island City, NY
Video Screening, Hudson Valley Center for Contemporary Art, Peekskill, NY
Codependent, The Living Room, Miami, FL
Holiday Windows”, Exit Art, New York, New York
It Is The Same Outside, Drake Hotel, Toronto, Canada
The Expression of Elemental Passions… (or, Damn Everything by the Circus),
Plus Ultra Gallery, Brooklyn, NY
Video 2005, Art in General, New York, NY

 

 

2004
Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY
Beginning Here: 101 Ways, Curated by Jerry Saltz, Visual Arts Gallery, New York, NY
Tokyo- Chicago-New York, Tokyo National University of Fine Art and Music, Japan
Sympathetic Nerve, Capsule Gallery, New York, New York
The Truck Stops Here, Plus Ultra Gallery, Brooklyn, New York
Six Outdoor Projects, Long Island University, NY
Slice and Dice, Visual Arts Gallery, New York, NY
Transmotion, Lower Manhattan Cultural Council, NY
1800 Frames 2004, City Without Walls, Newark, NJ

 

2003
AIM 23, Bronx Museum of Art, Bronx, New York
The Reconstruction Biennial, Exit Art, New York, NY
Site-Specifics, The Islip Art Museum: The Carriage House, East Islip, NY
Video 825, Gallery 825 LAAA, Los Angeles, CA
ARTNEW YORK, Kunstraume auf Zeit, Linz, Austria

 

SELECTED BIBLIOGRAPHY

 

Diamond Hammer, Katy. “At Mana Contemporary, ‘Virtually There’ Conjures the Magic of Masterpiece Bauhaus Ballet”, Art Net News, November 21, 2016.
Guiducci, Mark. “Bauhaus, Ballet, and Brazillians, Oh My! This Is the Most Interesting Performance You Can See This Weekend”, Vogue, November 19, 2016.
“Top 5 things to do at the Everson Museum of Art in July 2016.
“Meet the Artist: 5 Questions with Kate Gilmore”, Syracuse.com, May 20, 2016.
Mueller, Ellen. “Elements and Principles of 4D Art and Design”, Oxford University Press, 2017.
Condis, Alejandro. “Kate Gilmore: una historia de amor”, El Nuevo Herald, March 11, 2016.
Sverakova, Slavka. “She Devil”, Slavka Sverakova Blog, January 28, 2016.
Russ, JK. “The End of the P3Studio Artist Residency Era”, Huffington Post, January 14, 2016.
“Best of 2015: Our Top 10 Exhibitions Across the United States”, Hyperallergic, December 16, 2015.
Del Vecchio, Abby. “Paul W. Zuccaire Gallery Features Isabel Manalo’s ‘Skin Codes’”, Stony Brook Independent, December 7, 2015.
Battista, Kathy. “Meet Dr. Kathy Battista, Benezit’s new Editor in Chief”, OUPblog, November 19, 2015.
“Higher Ground: SVA’s Kate Gilmore wins ArtPrize 2015 Juried Grand Prize,” SVA Close Up, October 28, 2015.
Peterson, Kristen. “Dear Santa, I have sinned – Cosmo’s P3Studio annoucnes its 2015 artist lineup,” Las Vegas Weekly, January 26, 2015.
Hodara, Susan. “At Aldrich Contemporary Art Museum, Conversation Between Works and Over Decades,” The New York Times, December 19, 2014.
Thorson, Alice. “Kate Gilmore’s videos bring humorous approach to female struggle,” Kansas City Star, November 23, 2013.
Artsy Editorial. “A Group Show Considers Kafka’s ‘Amerika’ and Otherness in Art,” Artsy, 2014.
Kurcfeld, Michael. “Video: 60 Works in 60 Seconds, Paris Photo LA 2014″, Artinfo, April 25, 2014.
Zimmer, Lori. “Female Artists are a Force to be Reckoned With,” Mutual Art, February 19, 2014.
“Shirts versis skins,” The Art Newspaper, December 5, 2013.
Young, Paul David. “Hammers and Crickets: A Little Night Music in Miami,” Art in America, December 5, 2013.
Luscombe, Richard. “Art Basel Miami Beach set capitalize on boom in contemporary art market,” The Guardian, December 4, 2013.
Barnes, Steve. “Work by Kate Gilmore and Suzanne McClelland at UAlbany,” Times Union, November 20, 2013.
Bly, Lyz. “Love, Terror, and Happy Accidents: Kate Gilmore at MOCA Cleveland.” Collective Arts Network Journal, June 2013.
Litt, Steven. “MOCA Cleveland stages compelling installation by Janet Cardiff and George Bures Miller, and Kate Gilmore.” Cleveland.com April 20, 2013.
McQuaid, Cate. “What’s up at Boston-area art galleries.” The Boston Globe. March 26, 2013.
Bergeron, Chris. “Lincoln’s deCordova exhibits art that busts a move.” Norwood Observed. March 24, 2013.
Gilmore, Kate, “The Clintons,” Art in America, March 8, 2013.
“Don’t Miss: March 16-22,” Wall Street Journal, March 2013.
McQuaid, Cate. “‘PAINT THINGS’ is off the wall,” The Boston Globe, February 2013.
“Keeping up with the Guthmans.” Michigan Avenue Magazine. November 2012.
McQuaid, Cate, “Saliva Flows, Mud Thrown in Pretty Ugly”, The Boston Globe, June 6, 2012.
Despain, Cara, “Kate Gilmore: Rock, Hard, Place” Art Districts Magazine, June 2, 2012.
Fisher, Anna Watkins, “Like a Girl’s Name The Adolescent Drag of Amber Hawk Swanson, Kate Gilmore, and Ann Liv Young”,
TDR: The Drama Review 56:1 (T213), Spring 2012.
Batet, Janet, “Kate Gilmore: la destrucción como gesto constructivo,” el Nuevo Herald, April 28, 2012.
Halperen, Max, “Persona: A Body in Parts,” Artpapers, December 2011.
Young, Paul David, “Art Basel’s Close Ups,” Art in America, December 8, 2011.
“SVA in Miami: Women Dominate at Art Basel,” School of Visual Arts Journal, December 5, 2011.
Kleinman, Rebecca, “Exploring the Panorama: in Art Nova, new work from 42 galleries and 104 international artists survey dust, repetition, and womanhood, ” Art Basel Miami Beach, December 2011.
Bennett, Lennie, “Videos Intrigue, Inform in ‘Stagecraft’ at the USF Contemporary Art Museum”, St. Petersburg Times, August 28,2011.
Suarez De Jesus, Carlos, “David Castillo, One of Only Two Galleries Selected for Art Basel Miami Beach 2011,” Miami New Times, August 24, 2011.
Miller, Leigh Anne, “The Lookout: A Weekly Guide to Shows You Won’t Want to Miss”, Art in America, August 11, 2011.
Baker, Allese Thomson, “Critics Pick: Soft Machines”, Artforum, August 9, 2011.
Shuster, Robert, “Best in Show: Glutton for Punishment”, The Village Voice, August 3, 2011.
Massara, Kathleen, “Soft Machines Hit Hard”, The L Magazine, August 3, 2011
Schmitt, Amanda, “Glutton for Video Art”, Artcards Review, August 2, 2011
Johnson, Ken, “Soft Machines,” New York Times, July 28, 2011.
Tschida, Anne, “In ‘Sum:’ recreating the created image,” Knight Arts, June 3, 2011.
Frankel, David, “Putting Him and Her on a Pedestal: Anthony Gormley and Kate Gilmore”, Public Art Review, Fall Winter 2010.
Hontoria, Javier, “Kate Gilmore, Gozosamente Caotica”, El Cultural, December 10, 2010.
Russeth, Andrew, “Reviews: Kate Gilmore”, Art Info/ Modern Painters, May 13, 2010.
Smith, Roberta, “Artist Struts Her Stuff in Others’ Shoes”, The New York Times, May 12, 2010.
Williams, Alex, “You Never Know Where Her Gallery Will Pop Up Next”, The New York Times, May 12, 2010.
Kron, Catherine, “Gilmore’s Girls”, ART IN AMERICA, May 12, 2010.
Kennedy, Randy, “Pounding the Pavement on a Bryant Park Pedestal,” The New York Times, May 8, 2010.
Rehm, Cindy,“Video as a Flexible Medium”, Number:66, Summer 2010.
Vogel, Carol “Inside Art: A Bryant Park Stomp”, The New York Times, March 30, 2010.
Lacayo, Richard, “Stars of the Arts: Three Artists to Watch at the Whitney Biennial”, Time, March 11, 2010.
Gopnik, Blake, “2010 Whitney Biennial is Artful but Lacking Urgency”, The Washington Post, March 3, 2010.
Kriston Capps, Kriston, “Whitney Biennial 2010: Still Flying the Flag?”, The Guardian, March 2, 2010.
Viveros-Faune, Christian,”Welcome to the Mixed-Up, Dialed-Down 2010 Whitney Biennial”, Village Voice, March 2, 2010.
Miranda, Carolina, “Whitney Biennial: Three Must Sees”, WNYC, February 25, 2010.
Finch, Charlie, “A Room of One’s Own”, Artnet, February 23, 2010.
Yablonsky, Linda, “Whitney Biennial Mishmash Serves Up Michael Jackson, Macrame”, Bloomberg News, February 25, 2010.
Plagens, Peter “But, What does it Mean?”, Newsweek, February 19, 2010.
Saltz, Jerry, “Triumph: Women Artists Win Slim Majority in Next Whitney Biennial”, New York Magazine, December 11, 2009.
Goings on About Town, “One Minute More”, The New Yorker, November 2, 2009.
Swenson, Kirsten, “Reflections on the Electric Mirror: New Feminist Video”, Art in America, October 2009.
Acevedo-Yates, Carla, “Reflection on the Electric Mirror: New Feminist Video”, Artpulse, October 2009.
Rosenberg, Karen, “Art in Review Pink Panther” The New York Times, October 15, 2009.
Johnson, Ken, “Last Chance: East Coast Video”, The New York Times, August 13, 2009.
Johnson, Ken, “Art in Review: East Coast Video”, The New York Times, July 31, 2009.
Lamm, Kimberly, “Art Seen: Reflections on the Electric Mirror: New Feminist Video”, The Brooklyn Rail, July-August 2009.
Rosenberg, Karen, “Art In Review”, The New York Times, June 26, 2009.
Batet, Janet, “Kate Gilmore: la Destrucción como Indagación de Género”, El Nuevo Herald, June 21, 2009.
Creative Time, “Marilyn Minter/Kate Gilmore” (interview), The Creative Times, Summer 2009.
Goings on About Town, “Brooklyn Museum: Reflection on the Electric Mirror: New Feminist Video”, New Yorker, May 25, 2009
Harris, Jane, “Art Review: Reflections on the Electric Mirror: New Feminist Art”, Time Out New York, May 14, 2009.
Johnson, Ken, “Reflections on the Electric Mirror: New Feminist Video” The New York Times,
May 8, 2009.
Suarez De Jesus, Carlos, “Give Me Art”, Miami New Times, May 6, 2009.
Larocca, Amy, “Head-on Collision: Fearless Kate Gilmore Turns Accidental Chaos into Seriously Fun Art”,
New York Magazine, May 4, 2009.
Johnson, Ken, “She Tube: Female Voices on the Small Screen”, The New York Time, May 1, 2009.
Walling Blackburn, Mary, “Chewing Candy: A Glossary”, Art in America, April 9, 2009.
Gambari, Olga, “Kate Gilmore: Franco Soffiantino Arte Contemporanea-Turin”, Flash Art, March 2009.
Kilston, Lyra, “Introducing: Kate Gilmore”, Modern Painters, March 2009.
Bigi, Daniela, “Kate Gilmore: A Human Condition”, Arte e Critica, March 2009.
Mancini, Maria Giovanna, “My Space. Cosa Vuol Dire “Pubblico”? Al Pan di Napoli”, Arte e Critica, March 2009.
Palmerton, Elwyn, “Kate Gilmore”, Artillery, March 2009.
Nedo, Kito, “Re.Act. Feminism”, Art. Das Kunstmagazin, February 2009.
Richard, Frances, “Kate Gilmore”, Artforum, February 2009.
Parola, Lisa,”Giochi di Formi e di Cromatismo nelle Performance della Gilmore”, La Stampa, February 13, 2009.
Kelly, Anne, “Kate Gilmore: Girl Crush”, Female Persuasion, February 10, 2009.
Maloney, Patricia, “Josephine Taylor and Kate Gilmore”, Shotgun Review, January 19, 2009.
“Goings on About Town: Kate Gilmore”, The New Yorker, January 19, 2009
Smith, Roberta, “Museum and Gallery Listings: Kate Gilmore”, The New York Times, January 16, 2009
Wilton, Kris,”Kate Gilmore in New York”, Art Info, January 16, 2009.
Sheldon, Blythe, “Kate Gilmore at Smith-Stewart”, ARTCAL, January 12, 2009.
Smith, Roberta, “Art in Review: Kate Gilmore”, The New York Times, January 9, 2009.
McQuaid, Cate, “Videos, Then and Now, Tell a Story”, The Boston Globe, January 4, 2009.
Baker, Kenneth, “Hacking at a ‘Heart’ in a Little Yellow Dress”, San Francisco Chronicle, January 3, 2009.
Epstein, Edward, “Kate Gilmore: Philadelphia”, Art Papers, January/February 2009.
Schor, Gabriele, ed.,”Held Together with Water: Art from the Sammlung Verbund”, Catalogue, Istanbul Modern, 2008.
LeBlanc, Marc, “Shaving the Mammoth”, Catalogue, San Francisco Institute, 2008.
Welchman, John C., ed., Glenn Phillips (contributor), “The Aesthetics of Risk”, Catalogue, Southern California Consotrium of Art Schools, 2008
Lucia Skavron-Edmonds, Regina Skavron, Timothy Shearer (editors), “Where is My Mind”, Art RMX Cologne, 2008.
Von Simone Reber, “Kultur”, DERTAGESSPIEGEL, December 18, 2008.
Nakasone, Marisa, “Kate Gilmore’s Masochistic Films Explore Struggle through Gender and Identity”, Examiner, December 22, 2008.
Torr, Jolene, “Beyond All Endurance”, Art Slant, December 21, 2008.
Ewing, John, “Perverted by Theater”, Art Lies, Issue 60, December 2008.
Fones, Sarah, “Kate Gilmore, High Heeled Warrior”, Style.com, November 24, 2008.
Chan, Jason Jude, “Kate Gilmore”, Flavorpill, November 21, 2008.
Martin, Merritt, “Oh, the Fury: Gilmore Battles Gender Demons with a Girl Fight”, Dallas Observer, November 19, 2008.
Fricke, Christiane, “Wasser als Bindefied”, HANDELSBLATT, November 2, 2008.
Bay, Yasemin, “Feminist onculer Istanbul Modern” de”, MILLIYET, September 10, 2008.
Gregory, Stamatina, “Becoming Sculpture: The Work of Kate Gilmore”, Institute of Contemporary Art, September 2008.
Lorello, Kristen, “goldiechiari and Kate Gilmore”, MUSEO, Issue No. 9, June 2008.
Morris, Barbara, “Make You Notice”, Artweek, Volume 39, Issue 5, June 2008.
Cook, Rachel, “Kate Gilmore”, Art Lies, Summer 2008.
Natarai, Nirmala, “Turning Heads”, SF Weekly, March 28, 2008.
Wolf, Matt, “Love is Our Battlefield”, San Antonio Current, March 26, 2008.
Belasco, Jessico, “Artists Videos Explore Struggle, Identity, Failure, “ Chicago Tribune, March 3, 2008.
Facente, Alessandro, “Kate Gilmore”, Drome, February 2008.
Olson, Marisa,“Topsy Turvy Tales”, Rhizome, January 30, 2008.
Vettese, Angela, “Innamorati delle Fiere”, Il Sole 24, November 4, 2007.
Hanley, William, “For Whom the Belle Toils”, ARTnews, October 2007.
Halm, Dan, “Portfolio: Kate Gilmore”, Visual Arts Journal, Fall 2007.
Schor, Gabriele, ed. “Held Together With Water: Art from the Sammlung Verbund”, Catalogue, MAK Museum of Art, May 2007.
Amir, Yaelle, “Kate Gilmore”, ART US, March/April 2007.
Coggins, David, “Kate Gilmore at Pierogi”, Art in America, March 2007.
Lipman, Shani, Look in the Jar”, Time Out Israel, March 29, 2007.
Bainbridge, Julia, “Industrial Art”, Nylon, February 22, 2007.
Saltz, Jerry, ”Maximum Voracity”, The Village Voice, January 10, 2007.
Saltz, Jerry, “Maximum Voracity”, Artnet, January 10, 2007
“Goings on About Town: Kate Gilmore/ David Scher”, The New Yorker, December 25, 2006 & January 1, 2007
JW, “Kate Gilmore: Hopelessly Devoted”, Flavorpill, December 19-25, 2006.
Genocchio, Benjamin, “Kate Gilmore”, The New York Times, November 24, 2006.
Vaughn, Jacquelyn, “Contemporary Art Center: Experimental Personalities”, City Beat: Cincinnati, November 15-21, 2006.
Honigman, Ana Finel, “Kate Gilmore in Conversation with Ana Finel Honigman”, Saatchi Gallery.co.uk, November 13, 2006.
Saltz, Jerry, “Desperata”, Village Voice, May 3, 2006.
Katz-Freiman, Tami, “Mixed Emotions”, Catalogue, Haifa Museum of Art 2006.
Willis, Holly, “Reckless Behavior”, LA Weekly, April 12, 2006.
Kawana, Lauren and Rachael Garbowski, “Alumna Kate Gilmore Succeeds Outside the Bubble”,
Bates Student, March 2006.
Vona, Luca “Ionesco’s Friends”, Exibart, March 3, 2006.
Gambaru, Olga, “Quatro Artisti Espongono da Soffiantino”, La Repubblica, January 28, 2006.
Heiss, Alanna, Klaus Biesenbach, and Glenn D. Lowry, “Greater New York 2005”, Catalogue, PS1/MoMA, 2005.
Aram, Olltta, “New York Contemporary Art Scene”, Art and Design Press: China, 2005.
Simon, Stephanie, “Local Artists Create Unique Window Display in Midtown”, NY1 News, December 5, 2005.
Fishkin, Julie, “Greater New York 2005”, NY Arts, May/June 2005.
Rimanelli, David, “Greater New York 2005″, Artforum, May 2005.
McKanic, Arlene, “Art Overrun Walls, Floors at PS1 Show”, Times Ledger, March 31, 2005.
Saltz, Jerry, “Lesser New York”, Village Voice, March 30, 2005.
Saltz, Jerry, “Lesser New York”, Artnet, March 30, 2005.
Budick, Ariella, “Humor Is Their Oeuvre”, Newsday, March 20, 2005.
Kimmelman, Michael, “Youth and the Market: Love at First Sight”, The New York Times, March 18, 2005.
Ebner, Kate, “Kate Gilmore”, Real Art Ways, 2005.
Genocchio, Benjamin, “From Young Artists, Work That Reverberates”, New York Times,
March 13, 2005.
Volk, Gregory, “Big Brash Borough”, Art in America, September 2004.
Saltz, Jerry, “Borough Hall”, The Village Voice, April 28, 2004.
Saltz, Jerry, “Borough Hall”, Artnet, April 28, 2004.
Kotik, Charlotta and Tumelo Mosaka, Open, Catalogue, Brooklyn Museum of Art, April 2004.
Johnson, Ken, “From Small Sculptures to Glimpses of Signs, A Mix of Works in the Bronx”,
The New York Times, August 15, 2003.
Harrison, Helen, “Art Reviews: Site Specifics ‘03”, THE NEW YORK Times, July 15, 2003.
Yee, Lydia and Amy Rosenblum Martin, AIM 23, Catalog, The Bronx Museum of Art, July 2003.
Levin, Kim, “Exit Biennial: The Reconstruction”, Village Voice, April 30, 2003, p.72
Smith, Roberta, “A Space Reborn With a Show That’s Never Finished”, The New York Times, April 4, 2003.

 

AWARDS/RESIDENCIES

 

2016
Halley K. Harrisburg and Michael Rosenfeld Artist in Residence, Bowdoin College, Brunswick, ME

 

2015
Art Prize Award, Grand Rapids, MI
P3 Studio/Art Production Fund (with Franklin Evans), Las Vegas, NV

 

2014
Rauschenberg Residency Award, Captiva Island, FL
Mana Residency, Mana Contemporary, Jersey City, NJ

 

2012
Art Matters Grant, New York, NY
New York Foundation for the Arts Fellowship (NYFA), New York, NY

 

2010
Lower Manhattan Cultural Council Award for Artistic Excellence, New York, NY

 

2009
Louis Comfort Tiffany Foundation Award, New York, NY
In the Public Realm, Public Art Fund, New York, NY
Marie Walsh Sharpe, Space Program, Brooklyn, NY

 

2007
The Rome Prize, American Academy in Rome, Rome, Italy
Art Omi, Ghent, NY

 

2006
Franklin Furnace Fund for Performance, Brooklyn, NY
Visiting Scholar, New York University, New York, NY
Farpath Workspace Award and Residency, Dijon, France

 

2005
New York Foundation for the Arts Fellowship (NYFA), New York, NY
Lower Manhattan Cultural Council Workspace Award, New York, NY

 

2003
Lower Manhattan Cultural Council Manhattan Community Arts Grant, New York, NY
Artist in the Marketplace: Bronx Museum of Arts, Bronx, NY
Artists Space: Independent Project Grant, New York, NY

 

LECTURES/ VISITING ARTIST

 

2016
The New School, New York, NY
Christie’s + Girls’ Club Panel Discussion, David Castillo Gallery, Miami Beach, FL
The School of the Museum of Fine Arts, Boston, MA
Bowdoin College, Brunswick, ME

 

2015
Metropolitan Museum of Art, New York, NY
Hunter College, New York, NY
The College of New Jersey, Ewing Township, NJ
New York Arts Practicum, New York, NY
The Aldrich Contemporary Art Museum, Ridgefield, CT

 

2014
The Aldrich Contemporary Art Museum, Ridgefield, CT
School of Visual Arts, MFA Department, New York, NY
Stonybrook University, Long Island, NY
Kansas City Art Institute, Kansas City, MO
Utah Museum of Fine Art, Salt Lake City, UT
New York Arts Practicum, New York, NY
Neuberger Museum of Art, Purchase, NY
Rhode Island School of Design, Providence, RI
Cornell University, New York, NY

 

2013
Museum of Contemporary Art Cleveland, Cleveland, OH
Museum of Contemporary Art San Diego (WOW Festival), San Diego, CA
DeCordova Sculpture Park and Museum, Lincoln, MA
Art Basel, Miami, FL
Ramapo College of New Jersey, Ramapo, NJ
Artist in the Marketplace (Bronx Museum), Bronx, NY
Philbrook Museum of Art, Tulsa, OK
Saint Mary’s College, Notre Dame, IN
Cornell University, New York, NY
Montserrat College of Art, Beverly, MA
The College Art Association (CAA), New York, NY
Sotheby’s, New York, NY
Maine College of Art, Portland, ME

 

2012
Yale University, New Haven, CT
Columbia University, New York, NY
Skowhegan School of Painting and Sculpture, Skowhegan, ME
Brooklyn Museum, Brooklyn, NY
Sothebys, New York, NY
National Academy Museum, New York, NY
Ursinus College, Collegeville, PA
Pratt Institute, New York, NY
The New School, New York, NY
Rutgers University, Newark, NJ
Cornell University (New York Campus), New York, NY

 

2011
Museum of Contemporary Art, Chicago, Illinois
Creative Time/ Whitney Museum of American Art, New York, New York
The Cooper Union, New York, New York
Cornell University, Ithaca, New York
School of Visual Arts (MFA Photo and Video Department), New York, New York
Cranbrook Academy of Art, Bloomfield Hills, Michigan

 

2010
Guggenheim Museum, New York, New York
Whitney Museum of American Art, New York, New York
Public Art Fund (Bryant Park), New York, New York
Carnegie Mellon, Pittsburgh, Pennsylvania
Vassar College, Poughkeepsie, New York
Rowan University, Glassboro, New Jersey
Ohio State University, Columbus, Ohio
Hunter College, New York, New York
School of Visual Arts (MFA Fine Arts Department), New York, New York
Southern Methodist University, Dallas Texas
School of the Museum of Fine Art, Boston, Massachusetts
University of Albany, Albany, New York

 

2009
Pace University, New York, New York
Pacific Northwest College of Art, Portland, Oregon
A New Currency, School of Visual Arts, New York, New York
California College of the Arts, San Francisco, California
Locust Projects, Miami, Florida
Corcoran College of Art and Design, Washington, D.C
Columbia University, New York, New York
Pratt Institute, Brooklyn, New York

 

2008
University of Pennsylvania, Philadelphia, Pennsylvania
Institute of Contemporary Art, Philadelphia, Pennsylvania
Rhode Island School of Design, Rome, Italy
Rose Art Museum of Brandeis University, Waltham, Massachusetts
Artpace, San Antonio, Texas

 

2007
American Academy in Rome, Rome, Italy
Virginia Commonwealth University, Richmond, Virginia
Parsons, New York, New York
New York Studio Program, New York, New York
Lower Manhattan Cultural Council, New York, New York

 

2006
SUNY Purchase, Purchase College
RISD, Rhode Island School of Design, Providence, Rhode Island
Tyler College of Art, Philadelphia, Pennsylvania
Maryland Institute College of Art, Baltimore, Maryland
New York University, New York, New York
Bates College, Lewiston, Maine
School of Visual Arts, New York, New York

 

2005
Hunter College, New York, New York
Hudson Valley Center for Contemporary Art, Peekskill, New York
Ohio State University, Columbus, Ohio
Real Art Ways, Hartford, Connecticut

 

2004
University of New Jersey, Edison, New Jersey
Tokyo National University of Fine Art and Music, Tokyo, Japan

 

2002
School of Visual Arts, New York, New York

 

SELECTED COLLECTIONS 

 

Museum of Modern Art, New York, New York
Whitney Museum of American Art, New York, New York
Brooklyn Museum, Brooklyn, New York
Museum of Contemporary Art (MCA), Chicago, Illinois
San Francisco Museum of Modern Art, San Francisco, California
Indianapolis Museum of Art, Indianapolis, IN
Museum of Fine Arts, Boston, MA
Rose Art Museum, Waltham, MA
Philbrook Museum of Art, Tulsa, OK
Utah Museum of Fine Arts, Salt Lake City, UT
Weatherspoon Art Museum, Greensboro, NC
Verbund Collection, Vienna, Austria
Sammlung Julia Stoschek Collection, Dusseldorf, Germany
LAC, Lambert Collection, Geneva, Switzerland
Morra Greco Foundazione, Naples, Italy
Collezione La Gaia, Busca, Italy
Centro Sperimentale per le Arti Contemporanee (CESAC), Caraglio, Italy